MOTION GRAPHICS BY FARHAN
Made to
move.
Type with rhythm. Ideas with presence.
Brand stories that earn their time on screen.

A moving image should
move an idea forward.
My motion work connects graphic design with time. I use typography, composition, transitions and sound-led pacing to turn a message into a sequence someone can follow.
This selection brings together published Zoave brand and service films, an After Effects production experiment and an interactive typography study. Each has a different job; the common thread is a clear visual idea.
- CREATOR
- Farhan / Zoave
- DISCIPLINE
- Motion graphics & visual storytelling
- SELECTED OUTPUT
- Brand films, service films & studies
- WORKFLOW
- Design direction → animation → edit
The work.
Press play.
Meet Zoave — Building What’s Next
An introduction to Zoave, its digital services and the ideas behind the studio. A compact brand story built for a first impression.
WATCH ON YOUTUBE ↗Have an Idea for a System? We Can Build It
A short custom digital solutions film. One clear proposition, concise pacing and a direct invitation to turn an idea into a working system.
WATCH ON YOUTUBE ↗After Effects — The Results
A published result demo from Farhan’s AI-assisted After Effects workflow. A look at the output alongside the creative production system.
WATCH ON YOUTUBE ↗Feel the rhythm.
Take the controls.
A small, original web motion study made for this portfolio. Switch between typography, a brand mark and composition; scrub the timeline to see how the same elements change through time.
Direction first.
Then movement.
Find the message
Start with what the film needs to communicate, who it is for and the action it should support. The visual direction follows the message.
Design the frames
Set the type, palette, composition and visual hierarchy before animating. A still frame should already feel considered.
Build the rhythm
Shape entrances, holds and transitions. Contrast gives a sequence its pace: movement matters more when there is room to pause.
Finish the sequence
Refine timing and editing, check readable text and review the final film in its viewing context. Tools support the work; judgment shapes it.